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‘I should have thought it was obvious. There was first the Avenue, which ran in a consciously elegant curve from the railway station into an undeveloped wilderness of agriculture, with big, yellow brick villas on either side, and then there was the pavement, the little clump of shops about the postoffice, and under the railway arch was a congestion of workmen’s dwellings. She surveyed accommodation that seemed at first merely austere, and became more and more manifestly inadequate as the moments fled by. To recreate the era, I deliberately tried to avoid creating a thinly disguised bodice ripper where an “empowered” woman mouthed off to prospective suitors in jerkins and tights, in other words, a typical romance novel.

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