He sat on the bed, throwing aside his hat. Having secured this implement, he burst from his conductor, and, leaping into the hatch, as clowns generally spring into the clockfaces, when in pursuit of harlequin in the pantomime,—that is, back foremost,— broke into a fit of loud and derisive laughter, kicking his heels merrily all the time against the boards. Taken altogether, his physiognomy resembled one of those vagabond heads which Murillo delighted to paint, and for which Guzman d'Alfarache, Lazarillo de Tormes, or Estevanillo Gonzalez might have sat:—faces that almost make one in love with roguery, they seem so full of vivacity and enjoyment.
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