‘The gatehouse? But why must you move him at all?’ ‘Listen, missie. It is with the building raised after this direful calamity that our history has to deal. He reached for her and she stroked his head soothingly as his mother had done a few times when he had suffered bad fevers. One realized indeed then where the differences lay; the tender curves about Anna’s mouth transformed into hard sharp lines in Annabel’s, the eyes of one, truthful and frank, the other’s more beautiful but with less expression—windows lit with dazzling light, but through which one saw—nothing. A SCENE FROM THE PHOTOPLAY.
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