’ ‘In any event,’ Gerald told her, with a grin, ‘I can’t marry this one. ‘That is what she wants, is it?’ ‘Do you blame her?’ he said stiffly. She had to do her thinking at home—under inspection. This is where my character, Lucia, is coming from. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. There was a murmur or two among the watchers on the bench, but no one ventured to intervene again. .
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