” Her answer was terse. At luncheon, on the third day, a thick-set man with a blue jaw smiled across his table at her. He looked at Annabel, whose face was buried in her hands— he looked back at Anna, who was regarding him with an easy composure which secretly irritated him. “Annabel Pellissier is known to most of us. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance.
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