"They shall not harm you, my love!" she exclaimed. Dizzily, she grabbed at the mantel for support and, resting her head on her hands, paid no heed to a betraying sound behind her—until an unexpected arm encircled her. Then he entered her passionately, riding her with exquisite precision. It was dangerous for her to dare approaching him and she knew the tremendous risk she was taking, but a part of her demanded that he be found. To preserve herself, however, from destitution, or what she considered worse, she wedded a journeyman carpenter, named Sheppard. Sheppard superior to her station. I should like to know how it is concerned with Sir John Ferringhall, and how my presence intervenes. She calls us her guests, but in reality we are her prisoners. "Shall I never banish those horrible phantoms from my couch—the father with his bleeding breast and dripping hair!—the mother with her wringing hands and looks of vengeance and reproach!—And must another be added to their number—their son! Horror!—let me be spared this new crime! And yet the gibbet—my name tarnished—my escutcheon blotted by the hangman!—No, I cannot submit to that. “You were really at Moulton House,” she exclaimed penitently.
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