Part 5 The next morning she waited in the laboratory at the lunch-hour in the reasonable certainty that he would come to her. It was painted in the early seventeenth century by a minor artist named DuPre. She found she was trembling at his nearness and full of a thrilling dread that he might touch her. "I understand," replied Rowland. ‘You, Mademoiselle Charvill, are as unlike most of your sex as you can be. " So saying, he violently shut and locked the door.
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