" "O Jack, dear, dear Jack!" cried Mrs. "Farewell!" cried Jack, embracing them. The lace was family lace, easily recognizable. “It’s exactly like Troy!” Part 5 So Ann Veronica, enterprising and a little dubious as ever, mingled with the stream of history and wrote her Christian name upon the police-court records of the land. You have changed from the veriest butterfly to a woman—you wear different clothes, you have the air of another world. “Much better. A person of somewhat artificial graces and mannerisms, she was for once in her life perfectly natural. "You think our sex has no feeling, I suppose, Sir," cried Mrs. ’ ‘Success?’ Her eyes narrowed. “I’m not a good woman. None of the things they said and did were altogether new to Ann Veronica, but now she got them massed and alive, instead of by glimpses or in books—alive and articulate and insistent. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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