Opposite the gallows was an open gallery, or scaffolding, like the stand at a racecourse, which, on state occasions, was crowded with spectators. They came from every part, from the pit, the circle and the gallery, even from the stalls. “My sister,” she murmured, “is so independent. "Shall I never banish those horrible phantoms from my couch—the father with his bleeding breast and dripping hair!—the mother with her wringing hands and looks of vengeance and reproach!—And must another be added to their number—their son! Horror!—let me be spared this new crime! And yet the gibbet—my name tarnished—my escutcheon blotted by the hangman!—No, I cannot submit to that. They were inscribed with the name RIMBAUER, EMILIO J. Ann Veronica stood in the twilight room staring at the door that had slammed upon her aunt, her pocket-handkerchief rolled tightly in her hand.
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